Like a hollow-point shell, David Fincher’s slickly enjoyable assassin thriller is explosive but empty
Movies
Discover the best movies to watch, new movie reviews and film trailers, plus the latest film releases worldwide

Venice review: Poor Things
Yorgos Lanthimos’s feminist Frankenstein comedy is scabrous, smart and obscenely funny

Venice review: Maestro
Bradley Cooper’s elegant, ambitious biopic is a symphonic love story with sparkling, awards-worthy performances

12 films you need to know about at this year’s Venice Film Festival
Are Bradley Cooper’s Maestro or Sofia Coppola’s Priscilla en route to the Oscars?

Review: Scrapper
This cartwheeling, dad-and-daughter story buzzes with rascally energy
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Review: ‘Ahsoka’ – the first two episodes of the new Disney+ Star Wars show
It’s a broodingly atmospheric start for Rosario Dawson’s zen ex-Jedi

Everything you need to know about ‘Top Boy’ season 3
It’s apocalypse time for Dushane and Sully in Netflix’s epic crime thriller

6 reasons why ‘Red, White & Royal Blue’ is about to be your new favourite guilty pleasure
The surprise romcom hit of the summer is about to land

Your Disney+ subscription is about to go up – but there’s a way to save cash
Password sharing is next on the chopping block
The best new series and films to look out for

Star Wars ‘Ahsoka’: everything we know so far
A quick guide to the bafflingly massive world of the new Star Wars Disney+ show

‘Dune: Part Two’: everything you need to know
New A-listers are joining Timothée Chalamet and Zendaya for the sci-fi epic

Bridgerton season 3: everything we know so far
It’s Penelope Featherington’s world, we just live in it

‘Sex Education’ season four: everything you need to know
The Netflix comedy is back with an all-star cast
The latest movie reviews

The Killer
Like a hollow-point shell, David Fincher’s slickly enjoyable assassin thriller is explosive but empty

Adagio
Stefano Sollima’s slow burn gangster thriller is a macho but quietly compelling requiem to a dying breed
Like a hollow-point shell, David Fincher’s slickly enjoyable assassin thriller is explosive but empty

The Killer
Like a hollow-point shell, David Fincher’s slickly enjoyable assassin thriller is explosive but empty

Adagio
Stefano Sollima’s slow burn gangster thriller is a macho but quietly compelling requiem to a dying breed

Poor Things
Yorgos Lanthimos’s feminist Frankenstein comedy is scabrous, smart and obscenely funny

Maestro
Bradley Cooper’s elegant, ambitious biopic is a symphonic love story with sparkling, awards-worthy performances

The Wonderful Story of Henry Sugar
Wes Anderson’s chatterbox Roald Dahl tale is a Netflix short that’s deliciously decorative but lacking in bite
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